Showing posts with label guitar. Show all posts
Showing posts with label guitar. Show all posts
Sunday, November 2, 2014
Wednesday, October 1, 2014
Simple Guitar Synthesizer Circuit
This circuit uses a CMOS Phase Locked Loop, the 4046, to produce a very unusual sound from a guitar, which sounds something like a synthesizer.
The signal from the guitar is amplified by two of the amplifiers in `the 4007. The amplified signal is used by the phase comparator to lock the VCO to the frequency of the mi note played. The VCO does not oscillate until a note is played, when using the low pass filter shown (i.e. the T5 k resistor and 100 n capacitor). lf the value of the resistor is increased, the VCO oscillates continuously at about 1 kHz (with no input signal). This gives very smooth note changes. The basic frequency may he changed by varying the 100 k resistor.

The signal from the guitar is amplified by two of the amplifiers in `the 4007. The amplified signal is used by the phase comparator to lock the VCO to the frequency of the mi note played. The VCO does not oscillate until a note is played, when using the low pass filter shown (i.e. the T5 k resistor and 100 n capacitor). lf the value of the resistor is increased, the VCO oscillates continuously at about 1 kHz (with no input signal). This gives very smooth note changes. The basic frequency may he changed by varying the 100 k resistor.

Friday, August 29, 2014
Vocal Adaptor for Bass Guitar Amp
These days, music is a major hobby for the young and not-so-young. Lots of people enjoy making music, and more and more dream of showing off their talents on stage. But one of the major problems often encountered is the cost of musical equipment. How many amateur music groups sing through an amp borrowed from a guitarist or bass player?
This is where the technical problems arise not in terms of the .25” (6.3 mm) jack, but in terms of the sound quality (the words are barely understandable) and volume (the amp seems to produce fewer decibels than for a guitar). What’s more, unpredictable feedback may cause damage to the speakers and is very unpleasant on the ear. This cheap little easy-to-build project can help solve these technical problems.
The adaptor is built around the TL072CN low-noise dual FET op-amp, which offers good value for money. The NE5532 can be used with almost the same sound quality, but at (slightly) higher cost. The schema breaks down into two stages. The first stage is used to match the input impedance and amplify the microphone signal. For a small 15 W guitar or bass amplifier, the achievable gain is about 100 (gain = P1/R1). For more powerful amplifiers, the gain can be reduced to around 50 by adjusting P1. The second stage amplifies the band of frequencies (adjustable using P2 and P3) that are attenuated by the guitar amp, so as to be able to reproduce the (lead) singer ’s voice as clearly, distinctly, and accurately as possible. To refine the adaptor and tailor it to your amplifier and speaker, don’t be afraid to experiment with the component values and the type of capacitors.
The schema can readily be powered using a 9 V battery, thanks to the voltage divider R4/R5 which converts it into a symmetrical ±4.5 V supply.
This is where the technical problems arise not in terms of the .25” (6.3 mm) jack, but in terms of the sound quality (the words are barely understandable) and volume (the amp seems to produce fewer decibels than for a guitar). What’s more, unpredictable feedback may cause damage to the speakers and is very unpleasant on the ear. This cheap little easy-to-build project can help solve these technical problems.
Vocal Adaptor for Bass Guitar Amp Circuit Diagram
A guitar (or bass guitar) amplifier is designed first and foremost to reproduce the sound of the guitar or bass as faithfully as possible. The frequency response of the amp doesn’t need to be as wide or as flat as in hi-fi (particularly at the high end), and so this sort of amplifier won’t permit faithful reproduction of the voice. If you build an adaptor to compensate for the amp’s limited frequency response by amplifying in advance the frequencies that are then attenuated by the amp, it’s possible to improve the quality of the vocal sound. That’s just what this schema attempts to do. The adaptor is built around the TL072CN low-noise dual FET op-amp, which offers good value for money. The NE5532 can be used with almost the same sound quality, but at (slightly) higher cost. The schema breaks down into two stages. The first stage is used to match the input impedance and amplify the microphone signal. For a small 15 W guitar or bass amplifier, the achievable gain is about 100 (gain = P1/R1). For more powerful amplifiers, the gain can be reduced to around 50 by adjusting P1. The second stage amplifies the band of frequencies (adjustable using P2 and P3) that are attenuated by the guitar amp, so as to be able to reproduce the (lead) singer ’s voice as clearly, distinctly, and accurately as possible. To refine the adaptor and tailor it to your amplifier and speaker, don’t be afraid to experiment with the component values and the type of capacitors.
The schema can readily be powered using a 9 V battery, thanks to the voltage divider R4/R5 which converts it into a symmetrical ±4.5 V supply.
Author : Jérémie Hinterreiter
Thursday, August 28, 2014
Mini Portable Guitar Amplifier
Can be fitted into a packet of cigarettes, Also suitable as Fuzz-box
This small amplifier was intended to be used in conjunction with an electric guitar to do some low power monitoring, mainly for practice, either via an incorporated small loudspeaker or headphones. The complete schema, loudspeaker, batteries, input and output jacks can be encased in a small box having the dimensions of a packet of cigarettes, or it could be fitted also into a real packet of cigarettes like some ready-made units available on the market.
This design can be used in three different ways:
- Loudspeaker amplifier: when powered by a 9V alkaline battery it can deliver about 1.5W peak output power to the incorporated loudspeaker.
- Headphone amplifier or low power loudspeaker amplifier: when powered by a 3V battery (2x1.5V cells) it can drive any headphone set type at a satisfactory output power level or deliver to the incorporated loudspeaker about 60mW of output power. This configuration is useful for saving battery costs.
- Fuzz-box: when powered by a 3V battery (2x1.5V cells) and having its output connected to a guitar amplifier input the schema will behave as a good Fuzz-box, showing an output square wave with marked rounded corners, typical of valve-diagram output when driven into saturation.
Mini Guitar Amplifier Circuit Diagram
Parts:R1__________22K 1/4W Resistor
C1__________10µF 25V Electrolytic Capacitor
C2__________100nF 63V Polyester or Ceramic Capacitor
C3__________220µF 25V Electrolytic Capacitor
IC1_________TDA7052 Audio power amplifier IC
J1,J2_______6.3mm Stereo Jack sockets (switched)
SPKR_______8 Ohm Loudspeaker (See Notes)
B1_________9V PP3 Battery or 3V Battery (2 x 1.5V AA, AAA Cells in series etc.)
Clip for PP3 Battery or socket for 2 x 1.5V AA or AAA Cells
C1__________10µF 25V Electrolytic Capacitor
C2__________100nF 63V Polyester or Ceramic Capacitor
C3__________220µF 25V Electrolytic Capacitor
IC1_________TDA7052 Audio power amplifier IC
J1,J2_______6.3mm Stereo Jack sockets (switched)
SPKR_______8 Ohm Loudspeaker (See Notes)
B1_________9V PP3 Battery or 3V Battery (2 x 1.5V AA, AAA Cells in series etc.)
Clip for PP3 Battery or socket for 2 x 1.5V AA or AAA Cells
Notes:
- For the sake of simplicity and compactness, this unit employs a dual bridge IC amplifier and a few other parts. For the same reason no volume or tone controls are provided as it is supposed that the controls already existing on the electric guitar will serve satisfactorily to the purpose.
- No power switch is used: the battery voltage will be applied to the schema when the input plug will be inserted in the input jack socket J1. For this purpose be sure that the input plug is a common 1/4 inch guitar mono jack plug and J1 is a 1/4 inch stereo jack socket.
- The output jack socket J2 must be a switched stereo type. The changeover switching is arranged in such a way that, when a common headphones stereo jack plug is inserted into the socket, the loudspeaker will be disabled and the mono output signal will drive both the headsets in series, allowing full headphone reproduction. When used as a Fuzz-box output, a mono jack plug must be inserted into J2.
- If the amplifier is intended to be encased in a packet of cigarettes, standard loudspeaker diameter should be 57 or 50mm.
Technical data:
Max output power: 1.5W @ 9V supply - 8 Ohm load; 60mW @ 3V supply - 8 Ohm load
Frequency response: Flat from 20Hz to 20kHz
Total harmonic distortion @ 100mW output: 0.2%
Max input voltage @ 3V supply: 8mV RMS
Minimum input voltage for Fuzz-box operation: 18mV RMS @ 3V supply
Current consumption @ 400mW and 9V supply: 200mA
Current consumption @ 250mW and 9V supply: 150mA
Current consumption @ 60mW and 3V supply: 80mA
Quiescent current consumption: 6mA @ 9V, 4mA @ 3V supply
Fuzz-box current consumption: 3mA @ 3V supply
Frequency response: Flat from 20Hz to 20kHz
Total harmonic distortion @ 100mW output: 0.2%
Max input voltage @ 3V supply: 8mV RMS
Minimum input voltage for Fuzz-box operation: 18mV RMS @ 3V supply
Current consumption @ 400mW and 9V supply: 200mA
Current consumption @ 250mW and 9V supply: 150mA
Current consumption @ 60mW and 3V supply: 80mA
Quiescent current consumption: 6mA @ 9V, 4mA @ 3V supply
Fuzz-box current consumption: 3mA @ 3V supply




